Artist Brendan Lee Satish Tang says itās a Chinese tradition to make burnt paper offerings to oneās ancestors, and in his latest exhibition heās offerings symbols representative of his Nanaimo upbringing.
He just hopes his forebears donāt return to sender.
Starting May 21 and continuing until July 11, Tang, who now lives in Vancouver, presents Reluctant Offerings at the Nanaimo Art Gallery. Itās his first Nanaimo show since 2007 and while itās meaningful for him to make his return, he said it comes with āanother level of pressure.ā
āThereās people [in Nanaimo] that knew me when I was a kid so I feel like there is always the pressure of wanting to present something that people you know would find interesting,ā he said.
Tang describes the show as his most āraw and vulnerableā yet. Entering the gallery space will be reminiscent of walking into a forest campsite. The main component of the installation is a life-size replica of a 1984 Ford F-150 truck made out of watercolour paper set upon a campfire. Also on display are paper trucker hats and stubby beer bottles, and the trees in the clearing resemble those that hang from rear-view mirrors.
Thereās also video of small burning paper trucks being played forward and backwards to represent a loss of communication with Tangās ancestors.
āWhen I say āreluctant offering,ā itās one of those things where Iām talking more about my distanced relationship with my ancestors and, though immigration and migration, losing contact with that history,ā Tang said. āItās reflecting on my own histories, my own personal history and disconnect, but also meditating and thinking about growing up in Nanaimo and growing up in Canada and what is that like and finding oneself within those spaces.ā
The show is also the first to engage with the NAGās new thematic inquiry: what is progress? NAG curator Jesse Birch said in Tangās case, that progress comes in the form of the adult reflecting on growing up in Nanaimo.
āItās about thinking about ideas around nostalgia, ideas around comfort and discomfort around certain symbols that he was around at that age, including a Ford F-150, of course, which is the centrepiece of the show,ā Birch said. āButs itās mostly just thinking about that perspective looking backward to his young self looking forward to where he is now.ā
Tangās work often deals with concepts of hybridity and mixing of cultures. He said ideas around belonging and fitting in are āmulling over in my head a lotā because itās a reality heās lived himself.
āI donāt get described as Canadian. When people look at me theyāre like, āOh, youāre Canadian?ā because Iām not white ā¦ but then when I go abroad I definitely feel Canadian, so thereās that part of it,ā he said. āAnd then thereās also my Chinese and South Asian heritage ā¦ and I was originally born in Dublin, Ireland, so thereās a whole mix of figuring out where my place is and where I belong and where I feel like I belong.ā
WHATāS ON ā¦ Brendan Lee Satish Tang presents Reluctant Offerings at the Nanaimo Art Gallery, 150 Commercial St., from May 21 to July 11. opening happens May 21 at 1 p.m.
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